Fight Club

Fight Club (1999)

 
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3.4 (1)
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Mary Okeefe
Updated November 27, 2024
Fight Club

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Movie Overview | Fight Club (1999)

A depressed man (Edward Norton) suffering from insomnia meets a strange soap salesman named Tyler Durden (Brad Pitt) and soon finds himself living in his squalid house after his perfect apartment is destroyed. The two bored men form an underground club with strict rules and fight other men who are fed up with their mundane lives. Their perfect partnership frays when Marla (Helena Bonham Carter), a fellow support group crasher, attracts Tyler's attention.

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Overall rating
 
3.4
Entertainment Factor
 
4.0(1)
Story
 
4.0(1)
Actors Performance
 
3.0(1)
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3.0(1)
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Macho Philosophy Film
(Updated: January 04, 2025)
Overall rating
 
3.4
Entertainment Factor
 
4.0
Story
 
4.0
Actors Performance
 
3.0
Cinematography
 
3.0
Sound Track
 
3.0
Fight Club is a most frankly and cheerfully fascist big-star movie.  A celebration of violence in which the heroes write themselves a license to drink, smoke, screw and beat one another up.  Sometimes, for variety, they beat up themselves. It's macho porn -- the sex movie Hollywood has been moving toward for years, in which eroticism between the sexes is replaced by all-guy locker-room fights. Women, who have had a lifetime of practice at dealing with little-boy posturing, will instinctively see through it; men may get off on the testosterone rush. The fact that it is very well made and has a great first act certainly clouds the issue.

Edward Norton stars as a depressed urban loner filled up to here with angst. He describes his world in dialogue of sardonic social satire. His life and job are driving him crazy. As a means of dealing with his pain, he seeks out 12-step meetings, where he can hug those less fortunate than himself and find catharsis in their suffering. It is not without irony that the first meeting he attends is for post-surgical victims of testicular cancer, since the whole movie is about guys afraid of losing their cojones. These early scenes have a nice sly tone; they're narrated by the Norton character in the kind of voice Nathaniel West used in Miss Lonely hearts. He's known only as the Narrator, for reasons later made clear. The meetings are working as a sedative, and his life is marginally manageable when tragedy strikes: He begins to notice Marla (Helena Bonham Carter) at meetings. She's a "tourist" like himself--someone not addicted to anything but meetings. She spoils it for him. He knows he's a faker, but wants to believe everyone else's pain is real.  On an airplane, he has another key encounter, with Tyler Durden (Brad Pitt), a man whose manner cuts through the fog. He seems able to see right into the Narrator's soul, and shortly after, when the Narrator's high-rise apartment turns into a fireball, he turns to Tyler for shelter. He gets more than that. He gets in on the ground floor of Fight Club, a secret society of men who meet in order to find freedom and self-realization through beating one another into pulp.  It's at about this point that the movie stops being smart and savage and witty, and turns to some of the most brutal, unremitting, nonstop violence ever filmed.  

Although sensible people know that if you hit someone with an ungloved hand hard enough, you're going to end up with broken bones, the guys in "Fight Club" have fists of steel, and hammer one another while the sound effects guys beat the hell out of Naugahyde sofas with Ping-Pong paddles. Later, the movie takes still another turn. A lot of recent films seem unsatisfied unless they can add final scenes that redefine the reality of everything that has gone before; call it the Keyser Soze syndrome.  What is all this about? According to Durden, it is about freeing yourself from the shackles of modern life, which imprisons and emasculates men. By being willing to give and receive pain and risk death, Fight Club members find freedom.  He's a shadowy, charismatic figure, able to inspire a legion of men in big cities to descend into the secret cellars of a Fight Club and beat one another up.  Only gradually are the final outlines of his master plan revealed. Is Tyler Durden in fact a leader of men with a useful philosophy?  "It's only after we've lost everything that we're free to do anything," he says, sounding like a man who tripped over the Nietzsche display on his way to the coffee bar in Borders. In my opinion, he has no useful truths. He's a bully--Werner Erhard plus S & M, a leather club operator without the decor. None of the Fight Club members grows stronger or freer because of their membership; they're reduced to pathetic cultists. Issue them black shirts and sign them up as skinheads. Whether Durden represents hidden aspects of the male psyche is a question the movie uses as a loophole--but is not able to escape through, because "Fight Club" is not about its ending but about its action. 

Of course, "Fight Club" itself does not advocate Durden's philosophy. It is a warning against it, I guess.  I think it's the numbing effects of movies like this that cause people go to a little crazy.  Although sophisticates will be able to rationalize the movie as an argument against the behavior it shows, my guess is that audience will like the behavior but not the argument. Certainly, they'll watch this movie because they can see Pitt and Norton pounding on each other; a lot more people will leave this movie and get in fights than will leave it discussing Tyler Durden's moral philosophy.

The movie is visceral and hard-edged, with levels of irony and commentary above and below the action. If it had all continued in the vein explored in the first act, it might have become a great film. But the second act is pandering and the third is trickery, and whatever Fincher thinks the message is, that's not what most audience members will get. "Fight Club" is a thrill ride masquerading as philosophy--the kind of ride where some people puke, and others can't wait to get on again.





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